Hoffman Decor Challenge

Both Mary and I decided to enter the Hoffman Decor Challenge where we had to make a 15″ cushion cover using a specific piece of fabric.

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The fabric chosen was a pretty lace like floral on a blue background. Mary will tell her own story but I, of course, procrastinated until it was almost too late. Once I decided to cut the fabric out from the blue background and rearrange it on a different background I was away. I auditioned a couple of background colours before deciding on the peacock blue. I perched a perky little bird on the top to complete the first half of the picture. The second half of the story is told on the reverse, where another bird is preening looking around for a mate. Both sides were heavily quilted with a variegated thread. My brother Mike, names the majority of my quilts and this one is named “It’s a bit lonely at the top”. I was delighted to be awarded second place and received some amazing Hoffman Batiks – thanks a million.

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If I only had Time – Dorothy Collard 2017

Once again my entry for the Dorothy Collard challenge was left until the last minute as I wrangled with ideas. I always seem to flounder when given a set topic and spend an inordinate amount of time overthinking the whole process. I should just trust my instincts and go for the first images that springs to mind and then build on that! Two of my favourite quotes are “Procrastination is the thief of time” and “I wasted time and now doth time waste me” from Shakespeare’s Richard 11, and after all these years you would think I would heed the advice.  These morphed, as my quilts seem to, into a cacophony of phrases, saying and proverbs about time set amidst a range of clocks and gears. No prizes this year but I had a lot of fun making it. I am always amazed at the interpretations of the theme and enjoy admiring other people’s artistry as they convey their thoughts and skills to the wider audience.

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Auckland Quilt Guild – “The Space Between”

The Auckland Quilt Guild’s themed challenge for the Festival of Quilts 2016, involved using two contrasting prechosen pieces of fabric. The difficulty with these challenges is to create something that the fabric tells you to, or to design something and make the fabric fit your idea.  These conundrums already had my brain in overdrive but then it had to fit into the title of the challenge which was ‘Gone to Pieces”.  My immediate thoughts were of my scrambled brain and my longing for the empty areas of my brain to be filled with inspiration. I love cubist paintings and used this style to create ‘Frazzled’, using the challenge fabrics, a multi-coloured dot fabric on black as the eye, and the knitted blue, grey fabric as the eyebrows.  I was delighted to receive ‘Best Use of Colour’ for this challenge.

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Flight – Aotearoa Quilters

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Aotearoa Quilters in conjunction with Sew Ezi ran an open competition with the theme of Flight. This was interesting in that each region had a competition that selected two or three entries and these were sent to Wellington. From the quilts that were selected as regional representatives, twenty were chosen for a travelling exhibition. I was fortunate to have my entry chosen for this exhibition.

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Dorothy Collard, 2016 – Freedom

I had just finished reading Glenda Millard’s, “Stars at Oktober Bend”. This book is written from the point of view of Alice, a fifteen year old who had an acquired brain injury.  While she had difficulty voicing her thoughts, she wrote them in beautifully crafted poems which she left around her town for strangers to find. Manny, a refugee and former child soldier who was struggling to establish a new life in Australia finds these poems. The resultant ‘conversant’ is sensitive and just plain beautiful. Written for young adults  encourage a love of poetry and the sheer beauty of the vocabulary will have you rereading lines just so you can savour the words for a second or third time. I choose of the quotes from the book to demonstrate the concept of Freedom. I was lucky enough to be awarded a Merit prize although I think it was the fabric choice rather than the execution of the quilt that won the day!!
“I amMERIT_AnnieWhite_Heartwords

a rooftop poet

High on haiku

Silently shouting

sonnets to the stars

giving wings to

words giving wings to me

together we fly

my milk-way words

and I”

The Making of Songlines….

I often have trouble producing an art work for a ‘themed ‘challenge. I overthink it and I find that my best work or, at least the work I am happiest with, comes from the heart. Would I like that quilt on my wall day in and day out, is the question I ask.  If it doesn’t fill me with joy, then invariably it doesn’t get finished! The theme for this challenge had been percolating in my head for a long time and it took an age before a clear idea formed. It nearly didn’t happen….. I was pretty involved in the preparations for my daughter’s wedding in early December and I knew that if I had it clear in my head by the time the wedding was over, then I should be able to get it finished!

People often comment that I produce work quite quickly, but it usually has been made in my head for several months before I actually begin work. Naturally, changes occur along the way but they are usually due to technical or construction issues that I encounter. It is unusual for me to take photos as I go, (I forget!) but I happened to use the camera a lot in the production of this piece as I needed to step back from it to see what I was actually making!

The beginning….I started with the thread embroidery.  I have never ever tried this before, but I had watched a video – so …. how hard could it be? I sketched my ‘elder’ straight onto the water soluble plastic – I used a double layer of the ‘plastic’, then I hooped it, dropped my feed dogs and away I went.

I soon realised that it was pretty hard to see what I was doing and thus get a perspective on the image being made. I started on the shoulder and the lower half of the body first mainly because I was a bit scared to do the face. Five colours of thread were used- black, two shades of grey, white and a little bit of brown in the hair and beard.

Taking photos helped – you can from the photos below that the moustache was wrong. This was much more noticeable in the photograph than when just looking at it. More stitching and more photos until I was happy.

You can also see that I have trimmed the plastic around the edge to get rid of the bulk before I soaked the finished piece in water to dissolve the plastic. Magically it all stayed together!

Next was the decision on which background fabric to use.  I auditioned two fabrics and both created a different vibe and I wasn’t sure which I preferred, so I keep both in the running.  I sketched some of my songline ‘circles’, more to get an idea of the size than anything else and pinned them on both the fabrics.

Steam- a-seam was ironed onto the back of my chosen fabrics. Circles were cut and then placed onto black fabric. – Each yielded two circles and on some I cut the black off the outside edge.

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The coloured circles were stitched down except for the outside edge – This would be stitched when placed on the background. I then painted the dots using tsukineko inks. I made enough circles to be able to play with layout on the two backgrounds so I could compare and make a decision. This decision was aided by my siblings – I trust them for honest opinions and when in doubt I send them a photo with a question eg ‘which background’ and they reply and often I listen! The interconnected lines were initially cut from fabric that I found in my stash. I also made thread lines in ochre thread and also my ‘campfire’ symbols were thread embroidered (same method as I used for the elder) and I then played with the layout.

While this seemingly mechanical placement was happening, there was actually a method in my madness. The ochre threads are the dominant links between the orange circles. These orange circles are key points in my family story and in particular my daughter’s life. Kiriana has been teaching in remote Cape York for just over five years and the energy, the joy, the struggles and the children of the Cape have not only embedded themselves in her life but in the lives of all our family. Her fellow teachers are an absolute inspiration and I admire their dedication and sheer love of the land and the community. As with all songlines, a lot is hidden or is private to the outside viewer, but the symbols and the links all are symbolic in the telling of our story.

Once I was happy with the placement, it was time to quilt. I have taken a photo of my practice piece where you can see a couple of patterns that I played with but most of the decisions actually centred around the colour of the thread.

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Once I had made those decisions, l quilted the piece through two layers, the top and the batting. I then pieced a background using the green fabric that I had auditioned for the front and used several of the circles to give interest. (I had lots!) I stitched around the outside of the coloured circles through the three layers to tie it all together. The thread embroidery was tacked onto some soft black wadding and was then hand-stitched to the background piece as well as through some of the contours to give depth. The facing binding method was used so I could keep the edges straight and also because I didn’t want to subject my thread embroidery to excessive manoeuvring. I then four plaited the headbands with raffia and hand-stitched them onto the finished quilt. Voila! it was finished and even a week early!!!

 

Songlines…

It is with great delight (and excitement), that I can announce that my quilt “Songlines” has been selected for Brenda Gael Smith’s ‘A Matter of Time’ Textiles Exhibition.
The inspiration, and subsequently the dedication, came from the amazing communities and teachers of the Cape York Aboriginal Australian Academy.

The following is the my artist’s statement (in case you were wondering how it linked to the theme!). This week I will write a short post of how the quilt was made and the techniques I used…surprise, surprise I actually took some photos during the making…

Songlines

(Dedicated to the teachers and communities of the Cape York Aboriginal Australian Academy)

Time, in Aboriginal society, exists in a vertical relationship rather than in a horizontal sense. The past, present and future are all bound in the eternal ‘now’ of the Dreaming.  Time is not viewed in isolation but has an interconnectedness with the past and with the future. Everything that happens ‘in time’ has eternal implications and is elaborately interconnected.  Songlines are used to explain these connections.

My songline dreams of the day all Australians are connected harmoniously, and when the elder’s ancient songs are embraced, treasured and passed on, to a tolerant, united Australia – it’s just a Matter of Time.

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Brief overview of techniques:

The elder is made entirely of thread and is appliqued onto the background. The ‘circles’ in the songlines are appliqued and painted. The  ochre connecting lines and the yellow ‘campsites’  or ‘resting places’ are also made as separate thread pieces which have been appliqued onto the quilt.  The background is free motion quilted using silver and a variegated thread.

a matter of time exhibition

#amatteroftimetextiles